This scrapbook is a diary of my experience in the experimental music world. It has two parts: a) theoretical/ historical and b) the creative part.
In the part a there are words that promote the innovation of the experimental music, the new relationship between the composer, the performer and the audience which can differ according to the structure of the piece. Also, there is one page with quotes from experimental composers which can be helpful to understand the general idea about what is music from an experimental point of view.
The second part starts with the main influence for the following experimental projects, which was the Enigami exhibition. The last three pages contain three different experimental projects: one youtube video based on the exhibit Love letters, a happening performed in the museum and an idea called aquasonic based on J. Cage’s experimental piece Water Walk.